TAMAS: THE LIGHT OF TAMAS

Aparajita Krishna writes, “35 years after it lit India’s television screen and cinema, I am herei...

‘GOOD JOB NELIIMA!’

Aparajita Krishna has this power-packed conversation with Neliima Azeem - she calls her ‘a very consummate and individua...

HOW WILL I KNOW PEACE

Humra  Quraishi revisits the artist Satish Gujral and his words, as she tries to make sense of the polarisation and lack ...

#SHOUT UNTIL YOU’RE HEARD

The newsdesk at The Daily Eye reports on the preview of the film #SHOUT, hosted by Population First and supported by...

PAINTING THE TOWN RED: VANI TRIPATHI TIKOO

Vinta Nanda talks to Vani Tripathi Tikoo about her recently published book, Why Can’t Elephants Be Red?, and about other things.

Akku, the pr...

PUCL CONDEMNS: Raids on The Wire’s Editors

The PUCL strongly condemns the raids on the residences and office of senior editors of the news portal, The Wire, in New Delhi and Mumbai, repo...

Looking after a Family’s Medical Needs

Dr Kishore Madhwani writes on the FAMILY MEDICINE SPECIALIST DAY, which was observed on  SEPTEMBER 27 at NAVI MUMBAI...

FLASHBACK & FLASHIN-FORWARD!

Aparajita Krishna, here, flashbacks and goes forward with Gopi Desai, Podcaster, Actor, Filmmaker and Writer and Suhail Akhtar...

The Comic World Of Pierre Étaix

Vandana Kumar writes: ‘Le Grand Amour’ (The Great Love) 1969 is a French comedy that introduced me to its director...